Heartfield Theatre Production Design for Bertolt Brecht

bertolt brecht theatre sets Die Mutter The Mother Deutsches Theater 1951 Berlin Germany

John Heartfield Stage Set Projection for Bertolt Brecht, 1951


Bertolt Brecht Theatre Sets & The Alienation Effect

Heartfield was late arriving with his sparse screen backdrops for one of Brecht’s early plays. The streetcar that should have gotten him to the theatre on time had broken down. Brecht decided to interrupt the action of the play and have the audience vote on their preference. Should Heartfield be allowed to put up his screens? Should the play go on without them? From what point should the play continue? This event led Brecht to develop what would become the “Alienation Effect.”
The Alienation Effect was the intentional involvement of the audience in the action on stage. Brecht’s concept of the “Alienation Effect,” the intentional direct involvement of the audience in the action on stage. The effect was later used by several cutting-edge theater company, including the famous Living Theater and Shakespeare productions by Joe Papp in New York.
Brecht relied on Heartfield to produce the extremely complex screen projections required for the 1951 production of Die Mutter.
A combination of transparent material and film allowed the slide projections to flutter down and shimmer before the audience. The technique to show a revolution was itself revolutionary.
As an artist, Brecht was cut from the same cloth as Heartfield when it came to getting precisely what he wanted from his collaborator to attained his creative goals.