<< HEARTFIELD CHRONOLOGY – ALL YEARS1993 2011 2013 2016

“The distribution of his art, his message of rise of fascism when nationalism spins out of control, was what John Heartfield sacrificed for, risked his life for, and strived for throughout his entire life. The idea that any part of his work would be held in a government art institution where only those with geographic proximity or the proper artistic pedigree could view and study it would outrage and sicken him. He would tear down the doors.”

Professor John J Heartfield, John Heartfield's Grandson
Professor John J Heartfield, John Heartfield's Grandson

Official Heartfield Exhibition Is Now Powerful Art Museum
Reveal Art Exposes Alternate Facts

In 2012, The Heartfield Exhibition Curator John J Heartfield determined a new type of website was required to display his grandfather’s work on the web. It had to be more interactive. He wanted visitors to be able to share their thoughts on political art, collage art, and photomontage. The curator was especially moved when he received emails such as this one:

“Dear Professor Heartfield,

I’m 16 years old and have chosen (as part of my art GCSE) to do an essay on John
Heartfield’s brilliant work. I have a 2000 (give or take) word limit and still
pondering on an idea of a question. I was just wondering if you would be able to
direct me to any perhaps more personal insight of his triggers of his art that
he created, especially his anti-Nazi works. I am keen to take a current spin on
his work perhaps contrasting it with the fake propaganda and promises made
during Brexit and the Presidential Election. I personally find his works
incredibly effective for all sorts of reasons and really look forward to
exploring his art more closely.”

To create an even better experience for exhibition visitors, the curator began designing The John Heartfield Exhibition & Archive. He planned from the beginning that the site would not only be a tribute to his grandfather. It would eventually become an Online Museum For Powerful Art. He wanted to share the work of artists who had been inspired by John Heartfield.

The warnings in John Heartfield’s art are as relevant and important today as they were when Heartfield risked his life to create them!

The next paragraphs require the reader to know some information about John Heartfield’s grandson.

John J Heartfield received his degree in the production of digital media from New York University. Professor Heartfield taught more than twenty-five courses in digital media and programming at schools such as Tisch School of the Arts, New York University. Since 1995, he enjoyed a successful career designing and displaying media, including great works of art, on the Internet.

When he began constructing the first John Heartfield Archive website, John J Heartfield decided the time had had come to put away past differences with the Heartfield Archiv, Akademie Der Künste in Berlin. He began exchanging pleasant and productive emails with high-level members of the Heartfield Archive. He believed the Internet archive and the Heartfield Archive in Berlin had a great deal to offer each other. He felt it was in the interest of all to increase John Heartfield’s recognition and renown.

In April, 2014, John Heartfield’s grandson wrote to Wolfgang Trautwein, the director of Heartfield Archiv, Akademie Der Künste. He asked him for photographs of his grandfather’s art. Many Heartfield pieces have not been seen in public since John Heartfield’s death in 1968. On March 12, 2014, Dr. Wolfgang Trautwin categorically refused his request.

This is a direct quote from the email response Dr. Wolfgang Trautwein addressed to “Dear John Heartfield.” Please think about the letter from the 16-year-old quoted above as you read Walter Trautwein’s letter about providing images for display online in The Official John Heartfield Exhibition.

“an internet-publication of a larger scale should necessarily have an elaborate academic background, an expertise to be found with museums and art-institutions. More exactly we emphasize that these organisations will have to meet all the relevant cross-referential data delivered by the Akademie der Künste. It remains our view that these high-quality standards should be guaranteed in reproducing digital images of your grandfather’s work.

As you know the Academy is very interested in making Heartfield’s work and legacy available to the larger public. We regularly support exhibition projects and Heartfield scholars and enthusiasts are always welcome to come to our students’ room.”

Dr. Trautwein made no mention of John J Heartfield’s own collection of Heartfield art and ephemera. This collection includes the only surviving John Heartfield oil painting, The Cottage In The Woods.

The curator’s response to Dr. Trautwein’s email is the expanding section of this exhibition entitled HIDDEN GENIUS.

John J Heartfield knew his grandfather well. The curator did not respond to Dr. Trautwein’s email. There was no point. If he had, his response would have been his quote at the top of this page.

By 2015, the curator felt the time had come to take a different kind of action. He wrote a comprehensive letter directly to Monika Grütters, Germany’s Minister Of Culture. His sister, Catherine Jacobson, co-signed the letter. The minister was kind enough to respond.

Please go to the “TODAY” section of the Chronology section to learn about the incredible events the occurred in 2016 concerning John Heartfield’s art, this exhibition’s curator, and politics in America.

Professor John J Heartfield is John Heartfield’s paternal grandson. Professor Heartfield presented Art & Politics, Politics & Art at the DADA WORLD FAIR in San Francisco. Please write to him about his live presentation regarding the relevance of his grandfather’s life and work to current events.

Dada Political Artist John Heartfield grandson, John Heartfield, Curator Official John Heartfield Exhibition