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Famous Anti-Fascist Art - Hurrah, There Is No Butter Left! by John Heartfield

Hurrah, There Is No Butter Left!
Heartfield’s answer to Hermann Goering’s believe that “Iron makes a nation strong, butter makes a nation fat.”

Famous Anti-Fascist Art - Goering The Executioner by John Heartfield

Hitler’s second in command is pictured as an mad executioner holding a bloody axe.

Famous Anti-Fascist Art - The Meaning Of Geneva by John Heartfield

Heartfield’s montage is a visceral comment on the concessions to the Third Reich in Geneva in 1932.

Famous Anti-Fascist Art - Grimm's Cat And Mouse by John Heartfield

The mouse can make concessions to the cat, but in the end, the cat will do what cats do.

The Anti-Fascist Art Of John Heartfield

John Heartfield believed his anti-fascist and antiwar collages should be easily available to as many people as possible. They were warnings. The message that runs through his work is authoritarism can never be the solution to the problems that face humanity. He achieved his goal of mass distribution through the process of rotogravure.

These masterpieces of political art appeared on the covers of magazines and periodicals with the highest circulations inside Nazi Germany and Europe. The exhibition plans to display all 240 Heartfield AIZ Magazine covers that he produced at an astonishing rate between 1930 and 1938.

Of course, Heartfield’s mastery of mixed media and typography is quickly apparent. His stunning images were visual jolts to the senses. His “Photomontages Of The Nazi Period” are masterpieces of graphic design.

Like so many artists and writers in the early part of the twentieth century, an idealistic young John Heartfield believe the promises of communism were the answer to a fair and peaceful world. He joined the German Communist Party (KPD) in 1919. The KPD was the only serious political threat to the rise of Adolf Hitler and The Nazi Party. Germany was suffering because of conditions created by World War One’s Treaty Of Versailles. Both the KPD and The Nazis promised a better life for ordinary Germans. In his senior years, Heartfield would be persecuted by the communist party.

While remaining resident of Berlin, Heartfield produced political photo montage images that shouted from street corners that the promises of Adolf Hitler and The Nazi Party were built on hypocrisy, bigotry, race hatred, and extreme nationalism.

When Hitler seized power in 1933, all political opposition was outlawed. Heartfield narrowly escaped an SS attempt in in Berlin on April 14, 1933. He fled to Czechoslovakia where he continued to produced his collages “as a weapon” against fascism and The Nazi Party.

As the Nazi war machine moved towards Czechoslovakia, John Heartfield’s works of political art made him number-five on the Gestapo’s most wanted list.

The Exhibition is always growing.
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Curated By Heartfield's Grandson, John J Heartfield