<< HEARTFIELD CHRONOLOGY - ALL YEARS1916 1917 1918 1919 1920

“I see the future development of painting taking place in workshops… not in any holy temple of the arts.”
George Grosz, Berlin Dada Artist
George Grosz, Berlin Dada Artist

Dada Art Berlin Arrives From Zürich. A Self-Named Revolutionary Art Movement, 1916-1920

Dada Art Berlin emerged because the writer Richard Huelsenbeck imported Zürich Dada to Germany. Berlin was a city where fervent patriotism, political viewpoints, art, writing, photography, and film making slammed together.

Crowds in the streets shouted “God Punish England!” to voice their support of the German war effort. Because of his disgust for out-of-control nationalism, the artist Helmut Herzfeld takes on a English name. He becomes “John Heartfield.” Since his name wasn’t legally changed until later in his life, he often used either Helmut Herzfeld or John Heartfield on legal papers.

In 1916, Wieland Herzfeld becomes the publisher of Neue Jugend (New Youth). You can see a full copy of Neue Jugend in the Art As A Weapon > German Dada >Dada In Print section of the exhibition. By April 1917, Neue Jugend is banned.

George Grosz and John Heartfield work together to create Dada masterpieces. It seem like the elements of their Dada work is simply pieces pasted together. However, each piece was carefully put in place to convey a message, a visual jolt to the viewer.

“When John Heartfield and I invented photomontage in my South End studio at five o’clock on a May morning in 1916, neither of us had any inkling of its great possibilities, nor of the thorny yet successful road it was to take. As so often happens in life, we had stumbled across a vein of gold without knowing it.” George Grosz

In 1918, John Heartfield becomes a founding member of Berlin Club Dada. George Grosz, Kurt Schwitters, Max Ernst and John Heartfield  will go on to organize the First International Dada Fair in Berlin in 1920. The fair features the stunning work of Berlin Club Dada members such as Hannah Höch and Raoul Hausmann.

As the Weimar Republic continues its descent into fascism under Adolf Hitler,  John Heartfield  also continues to hone his political beliefs. He joins the KPD, the Germany Communist Party. The KPD is the only practical opposition to the rise of Hitler’s Nazi Party. Members of the KPD are aggressive opponents of the SPD, the other German Communist Party. According to the KPD, the SPD is essentially in league with the hated National Socialist Party, headed by Adolf Hitler.

Heartfield one of the most vocal members of the KPD. He publicly voices his opinions, creating anti-fascist anti-war political art without appearing to be concerned for the consequences. He continues to speak out even while he is being savagely beaten.

From 1916 to 1929, Heartfield’s growth as a collage artist, a graphic designer, and a political activist is unprecented. By 1929, he is poised to experience some of the most productive, brilliant, and dangerous years of his career.

By 1938, his “art as a weapon” will make him number five on The Gestapo’s Most Wanted List

John Heartfield’s grandson, Professor John J Heartfield, offers an Art & Politics, Politics & Art presentation to audiences in all types of venues. He was a featured presenter at 2016 DADA WORLD FAIR (The Collage Museum, San Francisco). Please write to him for more information.


Dada Art Berlin curator answers questions

Curated By Heartfield's Grandson, John J Heartfield